When Hector and his friend Mando, seventh-graders, visit Uncle
Julio, a photographer in Fresno, they have more excitement than
they ever imagined. On a photo shoot in a rickety old plane, they
spot an armored car heist, and Uncle Julio snaps some shots of the
robbers. After they report what they saw, the two robbers decide
they have to teach Hector and Mando a lesson. When the bumbling
thugs meet up with the quick-witted boys, the results are
hilarious.
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In this winning combination of a thriller and a comedy, Hector and his ``carnal'' (Spanish for blood brother), Mando, two realistically represented teens from East L.A., are first excited and then scared when they and Hector's Uncle Julio become the only witnesses to a robbery. Soto ( Baseball in April and Other Stories ; Pacific Crossing ) comically contrasts the adolescent wit and energy of these teens (when the two go with Julio on a dinner date, Hector notices that ``All evening Julio had complimented Vicky with such comments as . . . `I like the buttons on your dress,' and `You're a tidy woman'--small talk that made Hector wonder how his uncle ever got girlfriends'') with the slowness and spaciness of the robbers (as they look around for a car to steal, Huey ``Crybaby'' Walker suggests, ``Let's get another American car,'' to which Freddie Bork responds, ``Yeah, I like what GM's doing''). The boys' language is a lively and often musical mixture of English and Spanish, and a glossary provides readers with translations of words that may be unfamiliar. An entertaining novel, especially for contemporaries of these hip, likable protagonists. Ages 8-12. Copyright 1994 Cahners Business Information, Inc.
From: Reed Elsevier Inc.
Copyright Reed Business Information
Gr 4-7-Best friends Hector and Mando, seventh graders from East L.A., spend a weekend with Hector's uncle in Fresno. Uncle Julio, a photographer, takes the boys on an aerial shoot and, by chance, photographs an armored car holdup. After the local paper features the boys in an article concerning the heist, the robbers pledge to teach them a lesson. A couple of brief encounters come to a head when the crooks try to break into Uncle Julio's apartment. This climactic scene is a cross between Home Alone and Hitchcock's Rear Window, as the two friends continually foil the break-in attempts and eventually subdue and capture the bad guys. Soto's adept character development brings to life the witty, streetwise boys; the bumbling thugs; and the disheveled but well-meaning Julio. Humor is interjected on each page but is seldom forced, and while the ending may be a bit much, it works. As in a number of other books by this talented author, Spanish words and phrases are sprinkled throughout and a glossary is appended. A fast-moving, light read.-Tom S. Hurlburt, La Crosse Public Library, WICopyright 1994 Cahners Business Information, Inc.
From: Reed Elsevier Inc.
Copyright Reed Business Information